Dada And Futurism

Dada And Futurism

In this essay, I will be discussing the two movements 'Dada' and 'Futurism', with reference to their conceptual contexts and representative plays, there will also be analysis to how these two movements contrast to realism/ naturalism. Links will also be made to the plays, with the use of scholarly sources to back up the argument and then coming to a final conclusion at the end of the essay.



Dada was an artistic and literary movement, this arose as a reaction to World War one. Many citizens believed that Dada was actually the cause of World War one, this movement likes to take the form of 'anti–art'. Therefore, how you can claim everything is art but in reality, nothing is art. For example, take the painting 'Fountain' by a Dadaist painter Marcel Duchamp it is a readymade painting of an unused urinal. Which is basically implying that he rejected art and thought that we should focus on the artist 's idea more rather than it being crafted. Therefore, using a urinal and labelling it as 'art', get's Duchamp's point across that a work of art should be the artists idea instead of it being crafted. When looking at Dadaism by Tristan Tzara, there were some interesting quotes. For example, "Like everything in life, Dada is useless. Dada is without pretension, as life should be." (Tzara, 1918). This quote intrigues me, as Tzara is stating that all art is useless and that Dada is pretension and that is how life should be. This can be used as an example of how Dadaism was inspired by

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