Examples Of Epistemological Enquiry Into Mary Shelley's...
Epistemological Enquiry into Mary Shelley's Frankenstein Regarded as a canonical example of Gothic Fiction, Mary Shelley's Frankenstein stands as a classical debate between scientific endeavour and philosophical understanding. Both aims at improving the life of mankind – the former through experimentation and explanation of the properties of physical objects, the latter, through reflective study of fundamental problems having non–physical existence like truth and falsehood, virtue and vice, reason and justice and so on. Science can be called empirical philosophy as it was once regarded as natural philosophy, an offshoot of philosophy itself, only to be branched out after 19th century into a separate discipline. A large section of scholarship ... Show more content on Helpwriting.net ...However, the girl is engaged to a man named Albert, whom she soon marries. The unrequited love becomes a reason of terrible torment for Werther who finds himself a part of a love triangle, that can only be resolved through death of one of them. The hopelessness of his situation drives Werther to commit suicide. Significantly, none attends his funeral – neither Albert, Lotte or any clergyman. The book raises several enquiries in the monster's mind. Firstly, the monster finds him in a similar situation as Werther, a state of complete desolation. He is forsaken by mankind as well as by his creator. He realises that love is indispensable for life and hence, asks Victor to create a female companion, as "deformed and horrible" as he is with whom he can escape into the "vast wilds of South America", where no human being shall find them again. Secondly, the book raises existential questions in the monster as he ponders over his identity, which not even Victor has thought about. Thirdly, Shelley is preparing a ground for the final fate of the monster. Once he kills Victor, he realizes remorsefully that Victor was his father and that he is left with none to offer him pity or compassion. The dejection and disappointment, hatred and suffering drives him to commit
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