Romeo And Juliet Film Techniques

Romeo And Juliet Film Techniques

Baz Luhrmann, on completing the, "red curtain trilogy" has earned much success, which can be traced from Luhrmann's evolution of cinematic techniques as well as philosophy of cinema. This essay will examine Luhrmann's use of postmodern film techniques, by analyzing the, "red curtain trilogy". From Strictly Ballroom's, "flattening of affect" as Scott's rigid false perception of winning the San Pacific Ballroom dance completion. To Romeo + Juliet's multi–voiced narratives. Climaxing to The Great Gatsby's intertextuality of the book to the current movie. All of these techniques and much more discusses, develops Luhrmann's film of philosophy, to Strictly Ballroom, "a life lived in fear is a life half lived", to Romeo + Juliet's endearment of love and finally The Great Gatsby's social commentary on society, capitalism and history.



In Strictly Ballroom, Baz Luhrmann has done a phenomenal job of utilizing the conventional philosophy of cinema ... Show more content on Helpwriting.net ...The Elizabethan play is re–imagined as a modern action, love film, Bricolage. Luhrmann's Romeo + Juliet takes aspects of the original Romeo and Juliet, pastiche, and includes them in scenes such as the prologue, taking the original artifice and adapting its relevance to today. The techniques of metafiction are also found, as Mercutio in Luhrmann's film is a black bisexual male. There is also techniques of, "flattening of effect" where violence detaches the families' members from emotional lives. Baz Luhrmann's Romeo and Juliet's multi voiced narrative, setting his movie in a country and culture unfamiliar to himself contra to Strictly Ballroom, Luhrmann implementing Shakespearian prose in place of modern communication within his film and filming Romeo + Juliet in a much larger area, with more diverse areas for scenes, indicates the development of Luhrmann becoming a more courageous and expressive

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