Summary Of Magical Realism In A Very Old Man With Enormous...

Summary Of Magical Realism In A Very Old Man With Enormous...

The phrase "magical realism" in the context of literature was first coined by the Cuban novelist Alejo Carpentier to describe the combination of the fantastic and everyday occurrences in Latin American fiction. Over time, the term has been vastly modified by writers from a plethora of backgrounds. Nevertheless, magical realism still refers to the tendency to mix the magical and terrestrial in a context of realistic narration, as seen in the works of Gabriel García Márquez. Born in Columbia, Gabriel García Márquez introduces readers to magical realism through one of his short stories "A Very Old Man with Enormous Wings" by combining earthly and fantastic elements to create an image of an ordinary society with mythical creatures. In his work, Gabriel García Márquez effectively illustrates the coexistence of cruelty and morality in society through the strategic utilization of magical realism. Traditionally, many myths and legends portray angels as elegant, beautiful creatures, but in Márquez's short story the angel is portrayed as a disease–infected "ragpicker" (Márquez 1). The story begins when Pelayo and Elisenda, Márquez's main characters, discover an old man lying in their courtyard. They are unsure of his origins, but know that he has "enormous wings" and "speak in an incomprehensible dialect" (Márquez 1). Despite these uncertainties, they decide to house the questionable man in their chicken coop and utilize him to their own interests when they discover that he is

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