Surrealism And Surrealism


Surrealism And Surrealism


In 1925, the original surrealists forged a clear and resounding document, stating, among other things, that the surrealist movement is a revolution, unarguably. They asserted that their movement was not one of poetic form. Furthermore, that it was not even a literary movement. They firmly established, in the infancy of Surrealism, that it was not an aesthetic endeavour. It was "a revolution of the mind." Surrealist actions and thoughts function "in the absence of any aesthetic or moral concern." This idea was thoroughly tested with the many events to come. It was tested when Salvador Dali went so far with a lack of moral concern as to support Hitler himself, earning himself an excommunication, after a characteristically dramatic trial. It was tested when Andre Breton, honorary founder of Surrealism, stated that "The purest surrealist act is walking into a crowd with a loaded gun and firing into it randomly." This has since, regrettably, been forgotten. We have forgotten, somehow, the broken bones, the muddied faces, the chaos, and the legitimate taboos in which Surrealism languished. We have forgotten how, historically, we have stared in the face that which no one else dared to glance at. We have cast aside that which hurts us, for we do not care to include it in our reality. We have also become much more tolerant, since Breton's death in 1966, of that which is not actually surrealist. At the risk of sounding anti–progress, I say that the movement has become less pure


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