The Art Of Racing In The Rain Rhetorical Analysis

The Art Of Racing In The Rain Rhetorical Analysis

The Art of Racing in the Tears

The Art of Racing in the Rain is a novel written in the point of view of an intelligent dog named Enzo. The unique point of view of this novel is what makes it so entertaining and easy to read. Specific scenes that show how Enzo transcends scenes include the zebra scene. Another is when Enzo kills the squirrel. The last is Enzo's dying scene. In the Art of Racing in the Rain, Garth Stein manipulates his style by writing through the unusual point of view of a dog named Enzo, which transcends an ordinary scene into an extraordinary scene, by using specific syntax, diction, and the unique point of view of Enzo.

As Enzo was left to starve and hallucinate he encountered the evil zebra.

"The now living–zebra said nothing to me at all, but when it saw me it began to dance, a twisting, jerky ballet which, culminated with the zebra repeatedly thrusting its gelded groin into the face of an innocent Barbie doll. That made me quite angry, and I growled at the molester zebra, but it simply smiled and continue its assault, this time picking on a stuffed frog, which it mounted from behind and rode bareback it's hoof in the air like a bronco rider, yelling out

"Yee–haw! Yee–haw!""(53).

In this passage Enzo witnesses a horrific sight, but if told by through a different point of view, the scene would seem very different. In reality Enzo was seeing illusions but what was really happening was Enzo tearing up a little girl's stuffed animal. Because this scene was told through the point of view of Enzo the scene really enticed the reader and pulled in their attention. Stein used word choice such as "molester zebra" and "gelded groin" to simulate a nightmarish scene. Stein also writes his sentences in a way that makes the audience read in a rapid yet fearful way by using syntax. Examples of this are the excessive use of commas and short/easy pronounceable words. "The now living–zebra said nothing to me at all....into the face of an innocent Barbie doll". Because of Enzo's genuine fear and anxiety, this scene is transformed into an exciting, fearful scene because it is told through the point of view of Enzo.

Another scene where the perspective Enzo provides changes a scene is when he kills the

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